Books –
Dunlop, R et al. (2014) Production Pipeline Fundamentals for Film and Games. Oxford: Focal Press.
Kerman, J. (1997) Retrofitting Blade Runner. Wisconsin: University Press.
Mixerman. (2010) Zen and the Art Of Mixing. Wisconsin: Leonard.
The Stationery Office. (2009) Managing Successful Projects with Prince2. Norwich: TSO.
Wyatt, H. and Amyes, T. (2004) Audio Post Production for Television and Film: An Introduction to Technology and Techniques. Oxford: Focal Press.
Internet Sources –
https://www.youtube.com/watch?v=UyWHJ5o60L0 – On The Edge of Blade Runner, documentary.
http://www.soundonsound.com/sos/jan01/articles/surround.htm – Surround Sound Music Mixing Basics.
http://sound.stackexchange.com/questions/13484/why-mix-a-feature-film-in-stereo-and-not-5-1 – Conversation on 5.1 vs Stereo film mixing
http://msteer.co.uk/analyt/jfilmdubbing1.html – Dub Mixing History
http://www.media-match.com/usa/media/jobtypes/dubbing-mixer-jobs-413173.php – Dub Mixer Role
http://creativeskillset.org/job_roles/3852_audio_dubbing_assistant – Audio Dubbing Assistant
http://filmsound.org/synctanks – Dub Mixer Research
http://www.chrisjonesblog.com/2014/08/film-sound-mixing-top-tips.html – Dub Mixer Practise
http://www.imdb.com/name/nm0376153/?ref_=ttfc_fc_cr123 – Doug Hemphill IMDB
http://www.mi2n.com/print.php3?id=19728 – Hemphill on Hannibal
http://www.provideocoalition.com/audio-splits-stems-elemental-tracks/– Delivery requirements
https://zurb.com/expo/lessons/develop-a-great-naming-convention-for-your-project-files – Project Management, file naming
http://www.musictech.net/2013/01/sci-fi-sound-design – Sci-fi Sound Design
http://www.asoundeffect.com/supreme-scifi-weapon-sound-effects – Sci-fi Sound Design
http://www.videomaker.com/article/15352-diy-sci-fi-sound-effects – Sci-fi Sound Design
http://unbounce.com/conversion-rate-optimization/why-customer-testimonials/ – Testimonials
http://www.questionpro.com/survey-templates/customer-satisfaction-surveys – Testimonials / Feedback
http://blog.clientheartbeat.com/why-customer-feedback-is-important/ – Testimonials / Feedback
https://www.helpscout.net/blog/customer-satisfaction/ – Testimonials / Feedback
http://blog.clientheartbeat.com/customer-feedback-questionnaire/ – Testimonials / Feedback
http://smallbusiness.chron.com/importance-contracts-business-906.html – Contracts
http://e-lawresources.co.uk/Consideration.php – Consideration in contract law
http://www.filmcontracts.net/contracts/form.php?id=1040 – Commercial music agreement
http://www.out-law.com/page-6399 – Co-development agreement for film-makers
http://www.investopedia.com/terms/s/silo-mentality.asp – Silo mentality
https://www.gov.uk/copyright – Intellectual property
http://www.prsformusic.com/creators/helpcentre/pages/whatwedo.aspx#2 – Musical Royalty
http://secretariat.blogs.lincoln.ac.uk/files/2013/08/Student-Created-Intellectual-Property-Policy1.pdf – University Student IP policy
http://secretariat.blogs.lincoln.ac.uk/files/2013/08/Intellectual-Property-Rights-Policy2.pdf – University General IP policy
https://www.bectu.org.uk/advice-resources/rates/sound-rates – Rates in industry.
https://www.roberthalf.com/creativegroup/blog/the-art-of-managing-creative-people-and-projects – Managing Creative Projects
http://www.r128audio.com/ – Precis of R128 regulations
https://www.gearslutz.com/board/post-production-forum/711337-ebu-r128-workflow.html – General R128 discussion
https://tech.ebu.ch/docs/tech/tech3343.pdf – European guidelines
http://www.merging.com/uploads/assets/Merging_pdfs/FinalCheck/FinalCheck_FrequentlyAskedQuestions.pdf – Practical R128 mixing and LUFs
http://www.pro-tools-expert.com/home-page/2014/3/6/loudness-the-problems-with-r128-an-alternative-view.html – Discussion of R128
https://tech.ebu.ch/docs/events/ibc11-ebutechnical/presentations/ibc11_10things_r128.pdf – 10 reasons for R128
