BIBLIOGRAPHY

Books

Dunlop, R et al. (2014) Production Pipeline Fundamentals for Film and Games. Oxford: Focal Press.

Kerman, J. (1997) Retrofitting Blade Runner. Wisconsin: University Press.

Mixerman. (2010) Zen and the Art Of Mixing. Wisconsin: Leonard.

The Stationery Office. (2009) Managing Successful Projects with Prince2. Norwich: TSO.

Wyatt, H. and Amyes, T. (2004) Audio Post Production for Television and Film: An Introduction to Technology and Techniques. Oxford: Focal Press.

Internet Sources

https://www.youtube.com/watch?v=UyWHJ5o60L0 – On The Edge of Blade Runner, documentary.

http://www.soundonsound.com/sos/jan01/articles/surround.htm – Surround Sound Music Mixing Basics.

http://sound.stackexchange.com/questions/13484/why-mix-a-feature-film-in-stereo-and-not-5-1 – Conversation on 5.1 vs Stereo film mixing

http://msteer.co.uk/analyt/jfilmdubbing1.html – Dub Mixing History

http://www.media-match.com/usa/media/jobtypes/dubbing-mixer-jobs-413173.php – Dub Mixer Role

http://creativeskillset.org/job_roles/3852_audio_dubbing_assistant – Audio Dubbing Assistant

http://filmsound.org/synctanks – Dub Mixer Research

http://www.chrisjonesblog.com/2014/08/film-sound-mixing-top-tips.html – Dub Mixer Practise

http://www.imdb.com/name/nm0376153/?ref_=ttfc_fc_cr123 – Doug Hemphill IMDB

http://www.mi2n.com/print.php3?id=19728 – Hemphill on Hannibal

http://www.provideocoalition.com/audio-splits-stems-elemental-tracks/– Delivery requirements

https://zurb.com/expo/lessons/develop-a-great-naming-convention-for-your-project-files – Project Management, file naming

http://www.musictech.net/2013/01/sci-fi-sound-design – Sci-fi Sound Design

http://www.asoundeffect.com/supreme-scifi-weapon-sound-effects – Sci-fi Sound Design

http://www.videomaker.com/article/15352-diy-sci-fi-sound-effects – Sci-fi Sound Design

http://unbounce.com/conversion-rate-optimization/why-customer-testimonials/ – Testimonials

http://www.questionpro.com/survey-templates/customer-satisfaction-surveys – Testimonials / Feedback

http://blog.clientheartbeat.com/why-customer-feedback-is-important/ – Testimonials / Feedback

https://www.helpscout.net/blog/customer-satisfaction/ – Testimonials / Feedback

http://blog.clientheartbeat.com/customer-feedback-questionnaire/ – Testimonials / Feedback

http://smallbusiness.chron.com/importance-contracts-business-906.html – Contracts

http://e-lawresources.co.uk/Consideration.php – Consideration in contract law

http://www.filmcontracts.net/contracts/form.php?id=1040 – Commercial music agreement

http://www.out-law.com/page-6399 – Co-development agreement for film-makers

http://www.investopedia.com/terms/s/silo-mentality.asp – Silo mentality

https://www.gov.uk/copyright – Intellectual property

http://www.prsformusic.com/creators/helpcentre/pages/whatwedo.aspx#2 – Musical Royalty

http://secretariat.blogs.lincoln.ac.uk/files/2013/08/Student-Created-Intellectual-Property-Policy1.pdf – University Student IP policy

http://secretariat.blogs.lincoln.ac.uk/files/2013/08/Intellectual-Property-Rights-Policy2.pdf – University General IP policy

https://www.bectu.org.uk/advice-resources/rates/sound-rates – Rates in industry.

https://www.roberthalf.com/creativegroup/blog/the-art-of-managing-creative-people-and-projects – Managing Creative Projects

http://www.r128audio.com/ – Precis of R128 regulations

https://www.gearslutz.com/board/post-production-forum/711337-ebu-r128-workflow.html – General R128 discussion

https://tech.ebu.ch/docs/tech/tech3343.pdf – European guidelines

http://www.merging.com/uploads/assets/Merging_pdfs/FinalCheck/FinalCheck_FrequentlyAskedQuestions.pdf – Practical R128 mixing and LUFs

http://www.pro-tools-expert.com/home-page/2014/3/6/loudness-the-problems-with-r128-an-alternative-view.html – Discussion of R128

https://tech.ebu.ch/docs/events/ibc11-ebutechnical/presentations/ibc11_10things_r128.pdf – 10 reasons for R128

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