Dunlop, R et al. (2014) Production Pipeline Fundamentals for Film and Games. Oxford: Focal Press.

Kerman, J. (1997) Retrofitting Blade Runner. Wisconsin: University Press.

Mixerman. (2010) Zen and the Art Of Mixing. Wisconsin: Leonard.

The Stationery Office. (2009) Managing Successful Projects with Prince2. Norwich: TSO.

Wyatt, H. and Amyes, T. (2004) Audio Post Production for Television and Film: An Introduction to Technology and Techniques. Oxford: Focal Press.

Internet Sources – On The Edge of Blade Runner, documentary. – Surround Sound Music Mixing Basics. – Conversation on 5.1 vs Stereo film mixing – Dub Mixing History – Dub Mixer Role – Audio Dubbing Assistant – Dub Mixer Research – Dub Mixer Practise – Doug Hemphill IMDB – Hemphill on Hannibal– Delivery requirements – Project Management, file naming – Sci-fi Sound Design – Sci-fi Sound Design – Sci-fi Sound Design – Testimonials – Testimonials / Feedback – Testimonials / Feedback – Testimonials / Feedback – Testimonials / Feedback – Contracts – Consideration in contract law – Commercial music agreement – Co-development agreement for film-makers – Silo mentality – Intellectual property – Musical Royalty – University Student IP policy – University General IP policy – Rates in industry. – Managing Creative Projects – Precis of R128 regulations – General R128 discussion – European guidelines – Practical R128 mixing and LUFs – Discussion of R128 – 10 reasons for R128

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